Using Your Hometown As Setting

First, a big thank you to Delilah for having me here. I’m Lynn Crain and I love to talk about my hometown. Both of them.

I’m sure that has you curious but first a little background. My home is a small town in southern Nevada. It’s one of those artsy places that gets really hot in the summer. I’ve lived there since I was a kid and never thought I’d leave for any reason. Sure, I’d been begging my husband for years to take me to a place that had seasons. I was tired of just having two: hot and cold. I kid you not. There is very little time where the climate is beautiful where I live.

There are very hot southwest summers where temperature soars to over a hundred on any given day. In the winter the wind can chill you to your bones. It seems that there is a month where spring and fall should be when it’s absolutely beautiful but not much more than that. Yet in the winter it is a mecca for older folks who no longer like living in harsher climates.

Yet, it is a wonderful place to set a series. And I have but it’s on a back burner for the moment. Why? Because in May of 2011, I got my wish to move somewhere that has four seasons. Count them. Spring, summer, fall and winter. There’s snow on the ground at least some of the time. The place gets barren and I get to see the spring bringing forth life after the cold winter. The summer has rain and while it is hot, it’s a different hot. Fall is a congruence of color that I can watch outside my window. What girl could ask for more? It was what I wished for…right?

Well, sort of, as I really wanted to stay closer to home. We moved to the interesting city of Vienna, Austria. The move was hard on me to say the least. I had to get used to a different language, a different lifestyle and living in a flat. I had to get used to a husband who traveled a lot and being alone a lot.

At first, I sulked. I didn’t like it here and I would tell anyone who would listen. The people are stoic and sometimes rude here. I got a dog and people started noticing me suddenly. There was weirdness all around and I was flustered and frustrated by my new life. So I did what any red-blooded American writer would do…I started a series about my new hometown…as a way of self-preservation. I figured if I learned more about my new home, it would become easier to live here. And it has in many ways.

Still, there are some rules when using your own hometown as a place to set a novel or even a series. Here are a few guidelines to help you on your way:

Decide if you’re writing a stand-alone novel or a series of books.

This will help you in planning your strategy for plotting and writing. If it’s a stand-alone book, there’s usually no problem as you continue to work it like you would any other story. With a series, especially in romance, you need to have something that links them be it characters or place. In my case, I’ve chosen Vienna as the basis for a short series of romance books. Romance books are unique as far as series goes as they don’t necessarily follow the same characters throughout the series. Usually, the next book is about a new couple. Again, that couple or situation or setting needs to be linked to the first book in the series in a manner that will be repeated through the entire series. Also, decide on the series title if you can at this stage. Most of the time, I know what the series will be called before I finish the first book. The series set in Nevada is called the Nevada Night series whereas the books set here in Vienna are all part of the A Taste of Vienna series because all of them take place in or very close to the city.

One thing to note, science fiction and fantasy series are usually about the same characters with the addition of new characters to make the story fresh. Many involve a quest or a search for something that the characters need or want to make life pleasant. Many are called to the quest not because they want to be but because of circumstance. This is what makes these genres very different from romance as far as series goes.

Do your research even though you know about the place you live in.

There is nothing I hate worse than to see a series set in Las Vegas where they get nothing right. I’ve lived in that area for over 40 years and some things remain the same after all this time. If you are going to use real places and real historical people, make sure you get them correct. I remember reading a book about Vegas where the person was describing the Strip and they had every hotel on the wrong side of the road. I did this for Vienna as well. I did a lot of historical research and current research into customs, how people live and what they do. Yet, I wrote the first story from the perspective of an American experiencing it for the first time. Why? I wanted to get that awe and wonder factor in my character. Sure, some of it is opinion but a lot of it was based upon actual experiences from the first year of living in the city. I used the Christkindlemarkts and the Adventmarkts because they were some of the things I love about the city during the holiday season. I collaborated with native Austrians to get the feel and the setting right. There will always be something you don’t know about where you live. It’s those obscure little facts that readers love. Use them to your advantage.

Define your characters.

Whether doing a single book or a series, whether using your hometown as a setting or not, you have to know your characters. When I wrote the series about southern Nevada, I wrote about what I knew and have a very unique character. She is an off-road racer in a field dominated by men. I could do this because I had a brother and a son who were well-known in their class of off-road racing. They were willing to let me in on secrets and other aspects of racing that only insiders knew.

When I started my series in Vienna, I knew the setup was completely different. I knew I wanted at least one of the main characters in each book to be American, the others were up for grabs. In the first book, A Viennese Christmas, they are both Americans who work for the UN. In the second book, to be released in November, the heroine is American and the hero is Greek. This city has a plethora of foreigners who live and work here. I have to do my research very carefully because I don’t necessarily have an insider’s view but again, I have an American view of someone living here.

Find inspiration.

Sure, sometimes it’s hard to find inspiration if you’ve been in the same town for 40 years. But take a good look at where you live. Does it give off the small town vibe? Mine does. It’s a small town who touts the fact that gambling is illegal inside its city limits. Only town in Nevada to have that moniker. That in itself makes my hometown unique. It also has a renaissance faire, an art show called Art in the Park that has an estimated 50k a year visiting, is the town that built Hoover Dam and a host of other interesting tidbits. All this in a town of only fifteen thousand people.

In Vienna, all I have to do is to look out my office window and think about how it was here a couple hundred years ago. This place oozes history from Roman times to today. I love going to Carnuntum, the site of a Roman gladiator school to rival Rome. I love going to the palaces and the museums and all the other places close to this city of nearly two million. Yet, things happen here that don’t happen elsewhere in the world. It’s a UN city with lots of dignitaries running around, it’s a city known for music, has a palace to rival Versailles and has taken a pact of neutrality. It is prime fodder for a series, be it mine or someone else’s, but I plan on giving it a shot.

Brainstorm with your critique group or writing partner or even good friends.

Once you have some of the basics down like setting and characters, do some plot planning before you start to write. This is easiest done in a brainstorming session with your writing buddies or whoever supports you while you write. I usually put the basics down and maybe a chapter or two then present it to my group and ask if they think this will even work. Sometimes the answer is yes, sometimes a maybe and sometimes a no way. I get honest and great feedback from my group, which allows me to make a decision and move forward, no matter what the decision. After all, a writer needs to write.

Start writing.

This is above and beyond the general proposal mentioned in number six. This is where you plant your butt to the chair and put in the time to get out a good story. I say good because it’s rare that someone will have an excellent first draft. The idea is to get it down on paper, or in most of our cases, on-screen and then start the finessing part of making it great. I agree 100% with Nora Roberts when she says, and this is me paraphrasing it, to get your story down on paper first and worry about the rest later.

Submission.

Once your book is complete and you’ve dotted all your i’s and crossed all your t’s, check it one more time to make sure your setting is as correct as possible. Again, readers will let you know if something doesn’t sound right or if they know it to be absolutely wrong.

Whether this book is for submission to a traditional publishers, large or small, or even if you’re going to self-publish, you want it to be the best it can be. Either way, you will have one more chance to verify facts and again, do so just to be sure. It never hurts.

Then start writing that next book because the faster you get the next one out, the better.

Those are my basic guidelines for using your hometown as the setting for your next novel. Hopefully, I’ve helped some of you…and don’t hesitate to email if you have any questions…good luck with your story!

Lynn

A Viennese Christmas

A Taste of Vienna Book 1

Amanda Kranz, alone in Vienna, Austria at Christmas, meets sexy, historian Henry Jager, who convinces her true love is real and within her grasp. Read the rest of this entry »

Today I’m going to discuss ‘this or that’ writers.

If someone is referred to only as a ‘lesbian erotica writer’ or ‘science fiction writer’, they have unfortunately let themselves be stamped as a ‘this or that’ writer.

Such writers should immediately do whatever is necessary to shirk that potentially income-limiting label. Of course, there are writers who choose to focus on a specific niche, m/m romance or pet mysteries, for example, and in that case, it is very, very good to be a ‘this or that’ writer, only you are now a specialty writer with high income potential. You have established yourself as an expert; people will seek out your work.

Since I’m discussing ‘this or that’ writers, I’m leaving specialty writers out of this, except to say that SPs write for one genre (and sometimes that genre’s subgenres), usually one they personally enjoy reading or found they have a knack for, and they have mastered their craft. An SP is like a neurologist or orthopedic surgeon. I am talking about the advantages of being a general practitioner.

A writer with skill, talent, and experience, can write almost any type of material. And unless you choose to be known as a genre writer, say romance or fantasy, you should make a concerted effort to write stories of all kinds and submit, submit, submit. Like an investor, you should build up a diversified portfolio, only instead of investments; your portfolio consists of writing samples.

Diversification makes it harder to attain a certain level of success, but it is worth it in the long run. And while it will probably take longer to become a ‘famous mystery writer’ or a ‘bestselling romance author’ if you diversify, the truth is that you will make more short-term money by not pigeonholing yourself. And I do believe that making a living from their art is the ultimate goal of most writers.

I have not penned any bestsellers as of yet, but I do make a living as a writer and have so for the past six years. The key to that being that I do not categorize myself and try to avoid letting others do so. I am a writer, period. Whether it’s advertising copy, web copy, screenplays, brochures, newsletters, newspaper and magazine articles, or fiction, I am available and experienced and ready to write. Potential employers do not look at my resume and think, ‘She only has experience writing comedy. We can’t hire her for this.’ Instead they think, ‘She has experience with all kinds of writing.’

An added bonus of exercising your writing talent is just that – you get some exercise! Play around with types of characters, plots and subplots, genres, styles, tones, and of course, words. you will only be a better writer for it. Making your brain twist and turn, overcome obstacles, and think – will make you a better specialty writer as well, if that’s your chosen path.

If you do decide to stick to a certain genre, one that really tickles, draws, and titillates you, all this exercise will just make your specialty that much stronger. And if you decide to write, write, write – everything from magazine features to op-ed pieces to BDSM erotica to cookbooks, you’ll find that there is nothing you can’t do.

Ily Goyanes is a journalist, editor, publisher, and widely published erotica author. She writes about food and culture for the Miami New Times (Village Voice Media) and the Fuming Foodie, her columnist alter ego, has been known to cause a bit of controversy. Her erotica appears in Best Lesbian Erotica 2012, Lesbian Cops: Erotic Investigations, Spankalicious: Erotic Adventures in Spanking, and Power Plays: Kinkster Erotica, as well as the upcoming Smokin’ Hot Firemen.  Her first full-length anthology, Girls Who Score: Hot Lesbian Erotica, has been nominated for a Lambda Literary Award. She has been interviewed by PBS, The Miami Herald, The Sun-Sentinel, South Florida Gay News, and numerous other media outlets, as well as serving as a panelist at the 2012 Miami Book Fair International. Write her at ily.goyanes@gmail.com.

Writing Sex: Making Readers Feel It

I write erotic romance with BDSM and spanking.  I’ve been doing it for a long time, since well before Ellora’s Cave was born.  I was doing it so long ago that my first sales were to some of the many small press erotic publications common before the advent of the Internet and the World Wide Web, and at the time I’d never even talked to another author writing erotic romance. In fact, other than the writers in those magazines, I didn’t know of any others. I had no critique groups or partners and I pretty much taught myself how to do it.  I learned mostly by imitating others.

Since then, I’ve sold a lot more stories and read a lot of erotic romance stories for contests and on free sites. Many of them didn’t really work for me and usually for the same reasons.  Here are three of the most common mistakes I’ve run into.

–          Describing the action with no emotion. Spanking and bondage stories lend themselves to this shortcut and I see it quite a bit. After a nice bit of dialogue to build up to the scene, one character begins spanking the other. How does the author describe the action? “Smack. Smack. Smack. Smack.” Or “Spank, spank, spank, SPANK, spank, etc.” And the spankee shrieks “Ouch, ouch, ouch.” And that’s it until the spanking is over. Other than sort of describing the sound, this really shows me nothing. What I really want to know is what it feels like—either to the spanker or the spankee or, preferably to me, both. I’ll bet you’ve read some of those bondage stories that lovingly describe every twist and turn of the rope, every knot, but not what it feels like to be so bound, to be helpless and at someone else’s mercy.

–          Describing just the physical sensation. Yes, I want to know how it feels. I want the author to make me experience the burn of a spanking as well as the heat and arousal, the glorious pleasure when the beloved touches you just there, the helplessness when your movement is restricted by loving bonds. But I also want to know what’s going on in the characters’ heads as well as their bodies. I want to know why they’re in this position, why they’re letting the other do this to them, what they’re risking, and what they want from it.

–          Detailing a sex scene that doesn’t change anything between the main characters. In an erotic romance, every scene, including every sex scene, has to serve the plot and the development of the characters. It’s all about the story. Even when the story is super-sexy, if there’s no plot, no emotion, no risk, no danger, nothing to make us care about the characters or worry about what will happen to them, then it doesn’t work as a romance or even as good fiction.

The principles of good story-telling apply even to erotic romance. Show, don’t tell. Give us interesting characters and make us care about them. Build the tension between the characters. Don’t make it easy on them. Make them earn their happily ever after or at least their happily for now. And most of all entertain the reader. Grab her attention and keep it until the very last word.

Bio: As the author of more than a dozen novels, novellas and short stories for Ellora’s Cave and other publishers, Katherine Kingston makes her characters work hard for their happily-ever-afters. She writes erotic romances in a variety of genres including contemporary, medieval historical, fantasy, futuristic and paranormal. Most of her stories include kinky elements, especially BDSM and spanking. She invites you to visit her home on the web at https://www.katherinekingston.com.

 Secret Santa Sir: When Maggie gets a note from a very unofficial Secret Santa during the office’s holiday gift exchange, she’s surprised to be tempted by it. This Secret Santa offers to help fulfill her wilder sexual fantasies, those fantasies she’s never admitted to anyone else. Normally the very professional, uptight Maggie wouldn’t consider doing anything so risky. She wants a husband and family, but she also has kinky sexual fantasies and no man has ever moved her. Maggie agrees to Santa’s proposal, and her first few anonymous encounters with him are a revelation, showing her levels of sensuality she’s never experienced before. But when she meets the man behind the gifts and the glorious kisses, her life gets seriously complicated. As Maggie begins to fall in love with him, she faces two choices—longing for husband and family, and continuing a relationship that fulfills her in ways she never believed possible.

Kyle’s Bargain: In a desperate attempt to save the small strip shopping center that houses her own bookstore and a few other small retailers, Meg Travis tries to blackmail developer Kyle Harrison into going with her to talk to the people his project is about to displace. He offers her a bargain.  He’ll give her two hours of his time if she’ll agree to spend a night with him in his bed, and he won’t press charges if she’ll accept the punishment he proposes. He refuses to tell her what that penalty would be. Both honor their promises, but neither is prepared for the attraction that blazes between them in the process, turning duty into joy and punishment into pleasure.

NOTE: Don’t let the title confuse you. This is a new call for submissions. The previous “Sex Objects” has been renamed “High Octane Heroes.”

Sex Objects: An Anthology of Erotic Romance Stories
Editor: Delilah Devlin
Publisher: Cleis Press in Spring 2014
Deadline: July 1, 2013 July 15, 2013 (although sooner is better!)

Sex Objects: An Anthology of Erotic Romance Stories is open to all authors.

Editor Delilah Devlin is looking for hetero stories for a romantic erotica anthology tentatively entitled Sex Objects: An Anthology of Erotic Romance Stories.

High powered, high ranking…and in high heels.

The term “Sex Object” brings to mind a curvaceous starlet on a casting couch or an iconic, bee-stung-lipped beauty being pursued by a powerful, capable man. Turn that concept upside down by allowing the woman to objectify a handsome, sensual man, using the concepts of role reversal and power play but from a female perspective, and you have the makings of something evocative and fun for the feminine, romance reading audience.

Imagine powerful women unafraid of going after the men they want…
* A beautiful divorcee stepping out for the first time as a single woman with a paid male escort.
* The movie producer using the casting couch to lure the latest movie heart throb into a torrid affair.
* A university professor calling a male grad student into conference to discuss his “thesis.”
* A worldly corporate boss asking for “dictation” from her personal assistant.

These women will be masters of their own domain, in charge and proud…capable of using sex for pleasure’s sake…but ultimately succumbing to the pull of desire created by the “objects” of their desire.

Sex Objects will seek contemporary stories, although the editor is open to a futuristic or historical. Exotic, international settings will be considered. Traditional themes/tropes can be used, but writers are encouraged to create tales that surprise. Delilah seeks unique stories from authors with strong voices, and above all, she’s looking to be seduced by tales filled with vivid imagery and passion.

Published authors with an established world may use that setting for their original short story.

Keeping in mind that this volume is targeted at women, the editor seeks mainly hetero stories, but will consider bisexual or lesbian encounters and polyamorous relationships. This is erotic romance, so don’t hold back on the heat. Stories can be vanilla or filled with kink, but a deep sensuality should linger in every word—and don’t miss describing the connection between strong-willed individuals learning to trust and love one another. Keep in mind there must be a romantic element with a happy-for-now or happy-ever-after ending. Strong plots, engaging characters, and unique twists are the ultimate goal. Please no reprints. These must be original stories.

How to submit: Prepare your 1,500 to 4,500 words story in a double-spaced, Arial, 12 point, black font document with pages numbered (.doc, NOT.docx) OR rich text format. Indent the first line of each paragraph half an inch and double space (regular double spacing, do not add extra lines between paragraphs or do any other irregular spacing). US grammar (double quotation marks around dialogue, etc.) is required.

In your document at the top left of the page, include your legal name (and pseudonym if applicable), mailing address, and 50 words or less bio in the third person to realsexobjects@gmail.com. If you are using a pseudonym, please provide your real name and pseudonym and make it clear which one you’d like to be credited as. Authors may submit up to 2 stories. Delilah will respond in December 2013. The publisher has final approval over the stories included in the manuscript.

Payment will be $50.00 USD and two copies of the published book upon publication.

About the editor: Ms. Devlin has published over a hundred and twenty stories in multiple sub-genres and lengths with Atria/Strebor, Avon, Berkley, Black Lace, Cleis Press, Ellora’s Cave, Kensington, Kindle, Montlake Romance, Running Press, and Samhain Publishing. In Fall 2011, she debuted her first anthology with Cleis Press, GIRLS WHO BITE. Since then, she has published SHE SHIFTERS and COWBOY LUST. SMOKIN’ HOT FIREFIGHTERS and HIGH OCTANE HEROES  release in summer 2013.

Direct any questions you have regarding your story or the submission process to Delilah at realsexobjects@gmail.com.

My first novel, ILLICIT IMPULSE, comes out this week from Ellora’s Cave. It’s the story of a neuroscientist, his best friend, her friend with benefits, and some no-strings-attached fun. I had the devil’s own time getting the book finished, but I finally got The Call (in my case, actually, it was The Email) just before Thanksgiving. The journey from The Call to release has been surprisingly brief.

It’s amazing how quickly things move once you finish the book.

My trip to publication really began when I won the Passionate Reads Pitch Contest in February 2011. When I got my first chapters ready to enter in late 2010, I was coming off a tough breakup and really just needed to occupy my time between boyfriends. I didn’t have the whole manuscript ready, but that didn’t worry me very much. The contest didn’t require entrants to have the entire manuscript, and honestly, I was in it mostly for the experience.

I received lots of advice to have the manuscript complete anyway. None of those people would explain to me *why* the manuscript had to be finished, though, especially when the contest didn’t require it. I can be a stubborn person. I am open to advice, as long as it comes with an explanation. Otherwise it looks a lot like direction. I resist direction.

Now I understand why the manuscript has to be finished first, so I can offer you the same advice, along with an explanation.

After I won the contest, the judge, who is now my editor, requested the full manuscript. I explained that I didn’t have much more than she’d already seen. She said she understood – the contest had not required a complete manuscript anyway – and she said she’d wait to see the whole thing. She also specifically told me to take as long as I needed to get the rest of the book ready to submit.

That took just short of two years. I thank my editor for her endless patience in the acknowledgments. She waited for a long time and had to tell me more than once to take as much time as I needed.

But it didn’t have to end this way. Sure, there’s the obvious possibility that your editor might not be as patient as mine is, but there are at least three other excellent reasons not to wait to get your book submitted.

First, there’s that sick feeling of not being finished. Even knowing that someone was willing to wait as long as I needed, I had to face the reality that I wasn’t finished every single day for a pretty long time. That’s just not a pleasant feeling. The oppressive weight of the unfinished project lifts, well, as soon as you finish.

Then, there’s the reality that change is the only constant in the universe. I knew that my publishing house probably wasn’t going anywhere, but there was nothing to stop my editor from leaving. (Not that she would. But she *could.*) If the only person waiting for my manuscript changed jobs or retired or for whatever reason became unavailable, I’d have big problems! There wasn’t any guarantee that any of her successors would be enthusiastic about my book or that my editor would be able to take it with her to her next job. I’d have ended up in limbo, and worse, it would have been my fault.

Finally, let’s say that the publishing house is stable and my editor stays put … but someone with a completed manuscript similar to mine gets her submission in first. There’s no sound business reason for a publisher to hang on to the promise of a book when a real book is available, all other things being equal. The safest alternative was to secure my place with a finished product.

Having said all this, I won that contest with just the three chapters and now I’m an author with my first choice of publishing houses despite the fact that my editor had to wait for years to see my completed manuscript. So I imagine you can take my substantiated advice with a grain of salt.

I just wouldn’t use the whole shaker.

Years of research have led neuroscientist John March to the creation of Impulse, an experimental drug that suppresses the bonding hormone, oxytocin, and would allow women to enjoy sex without commitment. Now he just needs a test subject who’s willing to put Impulse through its paces, a woman who’s not afraid to indulge all her sexual desires and then go on record with her experiences. He needs a woman like his best friend, Grace. She and her boy toy could solve all John’s problems. If only he didn’t want her for himself …

Grace Foley’s dreams have just come true. Her sex-without-strings arrangement with Tal Crusoe has started to feel a bit complicated. Thanks to Impulse, Grace can keep things friendly while making the most of Tal’s abundant benefits. Too bad she can’t have John, too. She’s aching for a little experimentation of her own with the sexy scientist. But once it’s over, could they ever go back to being friends?

How far will two best friends go under the influence of Impulse?

Buy Book

Below is my latest call for submissions for an exciting new Cleis collection of hot erotic romance stories!

Hot Highlanders and Wild Knights
Editor: Delilah Devlin
Publisher: Cleis Press
Deadline: June 1, 2013 June 14, 2013

HOT HIGHLANDERS AND WILD KNIGHTS is open to all authors.

Editor/Author Delilah Devlin is looking for historically-themed stories—of knights and men in kilts—for a romantic erotica anthology tentatively entitled HOT HIGHLANDERS AND WILD KNIGHTS: Erotic Romance for Women.

Let your fantasies run wild to a time where men wearing heavy armor or thick tartans sent a spirited young maiden’s (or salty widow’s) heart fluttering. Imagine a primitive, simpler time where survival required physical strength and men were judged for their fierce loyalty and unshakeable honor.

Don’t feel you have to restrict your imaginings to European “knights” (Crusaders, Highlanders, Normans & Saxons, or tournament fighters)—dream about Vikings, Huns, Persians…or maybe a Samurai. A few time-travel stories may be considered as well.

Delilah will be looking for stories rich in sensory detail that explore women’s forbidden desires. A knight serving a conquering king enters a keep, his armor tarnished and smeared with dirt and blood. He scans the great hall until his gaze snags on a woman whose frightened face is nonetheless set into stubborn lines as she meets his piercing gaze… Imagine what happens next…
HOT HIGHLANDERS AND WILD KNIGHTS will seek stories to satisfy the reader who craves the romantic idea of that hard but questing man while exploring stories set in the Dark Ages. While most will likely take place in Europe, Ireland and Britain,  more exotic international settings will be considered. Traditional themes/tropes can be used, but writers are encouraged to create tales that surprise. Delilah seeks unique stories from authors with strong voices, and above all, she’s looking to be seduced by tales filled with vivid imagery and passion.

Published authors with an established historical world may use that setting for their original short story.

Keeping in mind that this volume is targeted at women, the editor seeks mainly hetero stories, but will consider bisexual or lesbian encounters and polyamorous relationships. This is erotic romance, so don’t hold back on the heat. Stories can be vanilla or filled with kink, but don’t miss describing the connection between strong-willed individuals learning to trust and love one another. Keep in mind there must be a romantic element with a happy-for-now or happy-ever-after ending. Strong plots, engaging characters, and unique twists are the ultimate goal. Please no reprints. These must be original stories.

How to submit: Prepare your 2,000 to 4,500 words story in a double-spaced, Arial, 12 point, black font Word document with pages numbered (.doc, NOT.docx) OR rich text format. Indent the first line of each paragraph half an inch and double space (regular double spacing, do not add extra lines between paragraphs or do any other irregular spacing). US grammar (double quotation marks around dialogue, etc.) is required.

In your document at the top left of the page, include your legal name (and pseudonym, if applicable), mailing address, and 50 words or less bio in the third person, and send to hothighlanderswildknights@gmail.com. If you are using a pseudonym, please provide your real name and pseudonym and make it clear which one you’d like to be credited as. Authors may submit up to 2 stories. Delilah hopes to respond with decisions in October 2013. The publisher has final approval over the stories included in the manuscript.

Payment will be $50.00 USD and two copies of the published book upon publication. Contributors retain the rights to their work, although the editor requests the courtesy of authors not republishing their work until at least 6 months after the publication of this anthology.

Ms. Devlin has published over a hundred twenty stories in multiple sub-genres and lengths with Atria/Strebor, Avon, Berkley, Black Lace, Cleis Press, Ellora’s Cave, Kensington, Kindle, Montlake Romance, Running Press, and Samhain Publishing. In Fall 2011, she debuted her first anthology with Cleis Press, GIRLS WHO BITE. Since then, she has published SHE SHIFTERS and COWBOY LUST. SMOKIN’ HOT FIREFIGHTERS and SEX OBJECTS  release in summer 2013.

Direct any questions you have regarding your story or the submission process to Delilah at hothighlanderswildknights@gmail.com.

With just a little over a month to go before this call for submissions closes, I thought I’d remind all you authors out there that your stories need to be told! Please pass this along to all your writer friends out there! ~DD

* * * * *

Sex Objects: Hot He-Man Erotic Romance for Women
Editor: Delilah Devlin
Publisher: Cleis Press in Fall 2013
Deadline: October 1, 2012

SEX OBJECTS: HOT HE-MAN EROTIC ROMANCE FOR WOMEN is open to all authors.

Editor Delilah Devlin is looking for hetero “super alpha” stories for a romantic erotica anthology tentatively entitled: SEX OBJECTS: HOT HE-MAN EROTIC ROMANCE FOR WOMEN.

What is it about heroes like Superman, Iron Man or Thor that revs our engines like no other? Is it the suit? The manly physique? Or is it the courage they display, wading in where others fear to go, to save the damsel, the city, the Earth? Well, we don’t want Superman or Thor this go-round! Are there real-life heroes who inspire the same lustful fascination? Kickass iconic heroes who enter danger zones in the name of duty, honor, country—or maybe love—who conjure images of hard, chiseled bodies, deadly glares and camouflaged features?

Sex Objects will seek stories that satisfy the reader who craves the romantic idea of that “super alpha” man. The stories will be contemporary. While traditional themes are likely to be featured, writers are encouraged to imagine greater in order to create tales that, while featuring this iconic hero, may also surprise.

Imagine the Navy SEAL sent on a rescue mission; the damaged Army Ranger home from war; the para rescue team member jumping into frigid waters; a SWAT team member entering a human trafficker’s den… These “super alpha” heroes can be military members and based in far-flung places around the world or the smoke-jumper living next door. Then imagine the romantic possibilities of being held against that massively muscled chest by a man whose mission is to protect and serve…

Published authors with an established “super alpha” world may use that setting for their original short story.

The stories may be as kinky or vanilla as the writer wants—but a deep sensuality should linger in every word. Exotic locations and scenarios are welcome. Keep in mind there must be a romantic element with a happy-for-now or happy-ever-after ending. Strong plots, engaging characters and unique twists are the ultimate goal. Please no reprints. We are seeking original stories.

How to submit: Prepare your 1,500 to 4,500 words story in a double-spaced, Arial, 12 point, black font document with pages numbered (.doc, NOT.docx) OR rich text format. Indent the first line of each paragraph half an inch and double space (regular double spacing, do not add extra lines between paragraphs or do any other irregular spacing). US grammar (double quotation marks around dialogue, etc.) is required.

In your document at the top left of the page, include your legal name (and pseudonym if applicable), mailing address, and 50 words or less bio in the third person to sexobjectsmanlyerotica@gmail.com. If you are using a pseudonym, please provide your real name and pseudonym and make it clear which one you’d like to be credited as. Authors may submit up to 2 stories. Delilah will respond in January 2013. The publisher has final approval over the stories included in the manuscript.

Payment will be $50.00 USD and two copies of the published book upon publication.

About the editor: Ms. Devlin has published over a hundred erotic stories in multiple genres and lengths. Her published print titles include Into the Darkness, Seduced by Darkness, Darkness Burning, Darkness Captured, Down in Texas, Texas Men, Ravished by a Viking, and Enslaved by a Viking. Her short stories are featured in Zane’s Purple Panties, and Cleis Press’s Lesbian Cowboys, Girl Crush, Fairy Tale Lust, Lesbian Lust, Passion, Carnal Machines, Dream Lovers, Lesbian Cops, Best Erotic Romance, and Girl Fever. She is published by Atria/Strebor, Avon, Berkley, Black Lace, Ellora’s Cave, Harlequin, Kensington, Mischief, Running Press and Samhain Publishing. In Fall 2011, she debuted her first anthology with Cleis Press, Girls Who Bite. In Summer 2012, Cleis Press released She Shifters and Cowboy Lust.

Direct any questions you have regarding your story or the submission process to Delilah at sexobjectsmanlyerotica@gmail.com.